What kind of person I want to be

lie in the bed, midnight,

listen to the water dropping

di, di , di , di

Thinking, what kind of person, am I ?

What kind of person I want to be?

is this the right question?

not what kind of job I want to do

not what kind of people I want to marry

not what kind of things I want to achieve

but what kind of person I want to be

 

Yes, I want to be a cool person

a person with dedication, with determination

with faith, with dignity

with humanitarian spirits

with a genuine love for life

with a calm altitude

with no fear for failure

with no regret for the past, with no fear for the future

with a attitude of learning and experiencing

with the courage to trial

 

 

读金瓶梅

在改论文之时,还抵挡不了内心的欲望又读了一遍金瓶梅。 金瓶梅无疑是我心目中中国最好的小说,至于与红楼梦单纯比较,没什么好比的,我只是个人更喜欢看金瓶梅。文学技巧之类的作为外行我也不懂,我最喜欢的就是其现实主义,赤裸裸的展现市井生活,无半分矫揉造作, 无半分粉饰太平。中国的艺术中,极少有这么直白客观的,无加褒贬的描绘,故更显其难得。

20160919_163119

金瓶梅通篇琐琐碎碎围绕着普通人,酒气财气的日常生活,可谓俗之极致。不像红楼梦中的人物,还拿风花雪月,诗词歌赋作为其遮羞布,虽则内里也跟金瓶梅一样淫乱。金瓶梅中的人,都活在财与色之欲海之中。我年幼第一遍看时只觉得他们是苦苦挣扎,不得解脱,谓其可怜。这么大了再看一遍忽然也觉得他们自得其乐,热乎乎的更贴进于人原始的状态,不似红楼梦,有种虚无飘渺的冷清。如此这般过日子也好,至少不至于像林妹妹般的自寻烦恼。

至于里面描绘的人物,大可说只是市井小人物,唯一还有点善根的只能算是李瓶儿了。可惜瓶儿善良得近乎于懦弱,最后被活活气死。李瓶儿的温柔体贴,大气善良,也最终赢了西门庆的几分真心。瓶儿死时及死后,西门庆的悲伤,也捉实让人感到了他还有温情的一面。相反的,潘金莲就没有这么幸运了,终其一生不过为自己的性欲所支使,只不过倒还得了个真性情的可爱,当淫妇,当泼妇当得理直气壮的。最聪明的当算是孟玉楼,左右逢源,作壁上观,无心争宠倒得了个善终。

不得不提的还有其中的大段的性爱描写,现在来看也不过尔尔。其中的姿式,比起AV来,竟然让我觉得西门庆还是个挺尊重,疼爱女性的男人。知乎上有人问西门庆的英文名字翻译, 下面有人搞笑回答,SM-King。 我倒觉得master of sex更贴切一点,西门庆的SM并不多,只用于对妾偷人后的惩罚,而且打几下就立马舍不得,倒也不严重。

日本有一部电影,感官世界,虽则是按实事改编的,但我还是怀疑导演是不是看了金瓶梅后有启发,其中的性爱场景很多很相似。两个人物与西门庆,潘金莲也很相似。

说金瓶梅有什么启发,无端的给文学扣了一个大帽子。清明上河图也没见大家讨论有何启发,为何文学就一定要承担教育的功能呢?我倒是挺喜欢看这种画卷式的描写,看金瓶梅当是看了一幅手卷,一幅有关人情世故,世态炎凉的长手卷,每一场景每一个小人物都这么真真实实,细考起来又很有味道。若是硬讲起来对我本身的启发,那就是多感恩日常生活之不易,多体谅一些生活的俗媚,甚至于让自己也多一些生活的欲望,其中自有一份乐趣。

人不可活得过于高雅,只有精神家园,否则极易落入虚无的心境

人也不可活得过于现实,一心只有色与利,否则只能被欲望牵引,到头来还是一场空

常言, 读《金瓶梅》而生怜悯心者,菩萨也;生畏惧心者,君子也;生欢喜心者,小人也;生效法心者,乃禽兽耳。 我,大概仅位于君子与小人之间吧,偶尔也有禽兽之念,罪过罪过。

佛言:爱欲之人犹如执炬逆风而行,必有烧手之患。希望自己以后戒贪戒色,修身养性。


金瓶梅词话序

窃谓兰陵笑笑生作金瓶梅传,寄意于时俗,盖有谓也。人有七情,忧郁为甚。上智之士,与化俱生,雾散而冰裂,是故不必言矣。次焉者,亦知以理自排,不使为累。惟下焉者,既不出了于心胸,又无诗书道腴可以拨遣,然则不致于坐病者几希。吾友笑笑生为此,爰罄平日所蕴者,着斯传,凡一百回。其中语句新奇,脍炙人口,无非明人伦,戒淫奔,分淑慝,化善恶,知盛衰消长之机,取报应轮回之事。如在目前始终,如脉络贯通,如万系迎风而不乱也。使观者庶几可以一哂而忘忧也。其中未免语涉俚俗,气含脂粉。馀则曰:不然。《关雎》之作,乐而不淫,哀而不伤。富与贵,人之所慕也,鲜有不至于淫者;哀与怨,人之所恶也,鲜有不至于伤者。吾尝观前代骚人,如卢景晖之《剪灯新话》、元微(原误为“徽”)之之《莺莺传》、赵君弼之《效颦集》、罗贯中之《水浒传》、丘琼山之《钟情丽集》、卢梅湖之《怀春雅集》、周静轩之《秉烛清谈》,其后《如意传》、《于湖记》,其间语句文确,读者往往不能畅怀,不至终篇而掩弃之矣。此一传者,虽市井之常谈,闺房之碎语,使三尺童子闻之,如饫天浆而拔鲸牙,洞洞然易晓。虽不比古之集,理趣文墨,绰有可观。其它关系世道风化,惩戒善恶,涤虑洗心,无不小补。譬如房中之事,人皆好之,人皆恶之。人非尧舜圣贤,鲜有不为所耽。富贵善良,是以摇动人心,荡其素志。观其高堂大厦,云窗雾阁,何深沉也;金屏绣褥,何美丽也;鬓云斜軃,春酥满胸,何婵娟也;雄凤雌凰叠舞,何殷勤也;锦衣玉食,何侈费也;佳人才子,嘲风咏月,何绸缪也;鸡舌含香,唾圆流玉,何溢度也;一双玉腕绾复绾,两只金莲颠倒颠,何猛浪也。既其乐矣,然乐极必悲生。如离别之机将兴,憔悴之容必见者,所不能免也。折梅逢驿使,尺素寄鱼书,所不能无也。患难迫切之中,颠沛流离之顷,所不能脱也。陷命于刀剑,所不能逃也;阳有王法,幽有鬼神,所不能逭也。至于淫人妻子,妻子淫人,祸因恶积,福缘善庆,种种皆不出循环之机。故天有春夏秋冬,人有悲欢离合,莫怪其然也。合天时者,远则子孙悠久,近则安享终身;逆天时者,身名罹丧,祸不旋踵。人之处世,虽不出乎世运代谢,然不经凶祸,不蒙耻辱者,亦幸矣。吾故曰:笑笑生作此传者,盖有所谓也。

欣欣子书于明贤里之轩

金瓶梅序

《金瓶梅》,秽书也。袁石公亟称之,亦自寄其牢骚耳,非有取于《金瓶梅》也。然作者亦自有意,盖为世戒,非为世劝也。如诸妇多矣,而独以潘金莲、李瓶儿、春梅命名者,亦楚《檮杌》之意也。盖金莲以奸死,瓶儿以孽死,春梅以淫死,较诸妇为更惨耳。借西门庆以描画世之大净,应伯爵以描画世之小丑,诸淫妇以描画世之丑婆、净婆,令人读之汗下。盖为世戒,非为世劝也。余尝曰:读《金瓶梅》而生怜悯心者,菩萨也;生畏惧心者,君子也;生欢喜心者,小人也;生效法心者,乃禽兽耳。余友人褚孝秀,偕一少年同赴歌舞之筵,衍至霸王夜宴,少年垂涎曰:男儿何可不如此!褚孝秀曰:也只为这乌江设此一着耳。同座闻之,叹为有道之言。若有人识得此意,方许他读《金瓶梅》也。不然,石公几为导淫宣欲之尤矣!奉劝世人,勿为西门庆之后车可也。

新刻金瓶梅词话

四贪词

酒损精神破丧家,语言无状闹喧哗。疏亲慢友多由你,背义忘恩尽是他。 切须戒,饮流霞,若能依此实无差。失却万事皆因此,今后逢宾只待茶。

休爱绿鬓美朱颜,少贪红粉翠花钿。损身害命多娇态,倾国倾城色更鲜。 莫恋此,养丹田,人能寡欲寿长年。从今罢去闲风月,纸帐梅花独自眠。

钱帛金珠笼内收,若非公道少贪求。亲朋道义因财失,父子怀情为利休。 急缩手,且抽头,免使身心尽夜愁。儿孙自有儿孙福,莫与儿孙作远忧。

莫使强梁逞技能,揎拳捋袖弄精神。一时怒发无明火,到后忧煎祸及身。 莫太过,免灾迍,劝君凡事放宽情。合撒手时须撒手,得饶人处且饶人。

Emotional Factor

Research is hard. It is easy to burn out on it. An embarrassingly small fraction of students who start PhD programs in AI finish. AT MIT, almost all those who do not finish drop out voluntarily. Some leave because they can make more money in industry, or for personal reasons; the majority leave out of frustration with their theses. This section tries to explain how that can happen and to give some heuristics that may help. Forewarned is forearmed: mostly it’s useful to know that the particular sorts of tragedies, aggravations, depressions and triumphs you go through in research are necessary parts of the process, and are shared with everyone else who does it.

All research involves risk. If your project can’t fail, it’s development, not research. What’s hard is dealing with project failures. It’s easy to interpret your project failing as your failing; in fact, it proves that you had the courage to do something difficult.

The few people in the field who seem to consistently succeed, turning out papers year after year, in fact fail as often as anyone else. You’ll find that they often have several projects going at once, only a few of which pan out. The projects that do succeed have usually failed repeatedly, and many wrong approaches went into the final success.

As you work through your career, you’ll accumulate a lot of failures. But each represents a lot of work you did on various subtasks of the overall project. You’ll find that a lot of the ideas you had, ways of thinking, even often bits of code you wrote, turn out to be just what’s needed to solve a completely different problem several years later. This effect only becomes obvious after you’ve piled up quite a stack of failures, so take it on faith as you collect your first few that they will be useful later.

Research always takes much, much longer than it seems it ought to. The rule of thumb is that any given subtask will take three times as long as you expect. (Some add, “ even after taking this rule into account.”)

Crucial to success is making your research part of your everyday life. Most breakthroughs occur while you are in the shower or riding the subway or windowshopping in Harvard Square. If you are thinking about your research in background mode all the time, ideas will just pop out. Successful AI people generally are less brilliant than they are persistent. Also very important is “taste,” the ability to differentiate between superficially appealing ideas and genuinely important ones.

You’ll find that your rate of progress seems to vary wildly. Sometimes you go on a roll and get as much done in a week as you had in the previous three months. That’s exhilarating; it’s what keeps people in the field. At other times you get stuck and feel like you can’t do anything for a long time. This can be hard to cope with. You may feel like you’ll never do anything worthwhile again; or, near the beginning, that you don’t have what it takes to be a researcher. These feelings are almost certainly wrong; if you were admitted as a student at MIT, you’ve got what it takes. You need to hang in there, maintaining high tolerance for low results.

You can get a lot more work done by regularly setting short and medium term goals, weekly and monthly for instance. Two ways you can increase the likelihood of meeting them are to record them in your notebook and to tell someone else. You can make a pact with a friend to trade weekly goals and make a game of trying to meet them. Or tell your advisor.

You’ll get completely stuck sometimes. Like writer’s block, there’s a lot of causes of this and no one solution.

Setting your sights too high leads to paralysis. Work on a subproblem to get back into the flow.

You can get into a positive feedback loop in which doubts about your ability to do the work eat away at your enthusiasm so that in fact you can’t get anything done. Realize that research ability is a learned skill, not innate genius.

If you find yourself seriously stuck, with nothing at all happening for a week or more, promise to work one hour a day. After a few days of that, you’ll probably find yourself back in the flow.

It’s hard to get started working in the morning, easy to keep going once you’ve started. Leave something easy or fun unfinished in the evening that you can start with in the morning. Start the morning with real work-if you start by reading your mail, you may never get to something more productive.

Fear of failure can make work hard. If you find yourself inexplicably “unable” to get work done, ask whether you are avoiding putting your ideas to the test. The prospect of discovering that your last several months of work have been for naught may be what’s stopping you. There’s no way to avoid this; just realize that failure and wasted work are part of the process.

Read Alan Lakien’s book How to Get Control of Your Time and Your Life, which is recommended even by people who hate self-help books. It has invaluable techniques for getting yourself into productive action.

Most people find that their personal life and their ability to do research interact. For some, work is a refuge when everything else is going to hell. Others find themselves paralyzed at work when life is in turmoil for other reasons. If you find yourself really badly stuck, it can be helpful to see a psychotherapist. An informal survey suggests that roughly half of the students in our lab see one at some point during their graduate careers.

One factor that makes AI harder than most other types of work is that there are no generally accepted standards of progress or of how to evaluate work. In mathematics, if you prove a theorem, you’ve done something; and if it was one that others have failed to prove, you’ve done something exciting. AI has borrowed standards from related disciplines and has some of its own; and different practitioners, subfields, and schools put different emphases on different criteria. MIT puts more emphasis on the quality of implementations than most schools do, but there is much variation even within this lab. One consequence of this is that you can’t please all the people all the time. Another is that you may often be unsure yourself whether you’ve made progress, which can make you insecure. It’s common to find your estimation of your own work oscillating from “greatest story ever told” to “vacuous, redundant, and incoherent.” This is normal. Keep correcting it with feedback from other people.

Several things can help with insecurity about progress. Recognition can help: acceptance of a thesis, papers you publish, and the like. More important, probably, is talking to as many people as you can about your ideas and getting their feedback. For one thing, they’ll probably contribute useful ideas, and for another, some of them are bound to like it, which will make you feel good. Since standards of progress are so tricky, it’s easy to go down blind alleys if you aren’t in constant communication with other researchers. This is especially true when things aren’t going well, which is generally the time when you least feel like talking about your work. It’s important to get feedback and support at those times.

It’s easy not to see the progress you have made. “If I can do it, it’s trivial. My ideas are all obvious.” They may be obvious to you in retrospect, but probably they are not obvious to anyone else. Explaining your work to lots of strangers will help you keep in mind just how hard it is to understand what now seems trivial to you. Write it up.

A recent survey of a group of Noble Laureates in science asked about the issue of self-doubt: had it been clear all along to these scientists that their work was earth-shattering? The unanimous response (out of something like 50 people) was that these people were constantly doubting the value, or correctness, of their work, and they went through periods of feeling that what they were doing was irrelevant, obvious, or wrong. A common and important part of any scientific progress is constant critical evaluation, and is some amount of uncertainty over the value of the work is an inevitable part of the process.

Some researchers find that they work best not on their own but collaborating with others. Although AI is often a pretty individualistic affair, a good fraction of people work together, building systems and coauthoring papers. In at least one case, the Lab has accepted a coauthored thesis. The pitfalls here are credit assignment and competition with your collaborator. Collaborating with someone from outside the lab, on a summer job for example, lessens these problems.

Many people come to the MIT AI Lab having been the brightest person in their university, only to find people here who seem an order of magnitude smarter. This can be a serious blow to self-esteem in your first year or so. But there’s an advantage to being surrounded by smart people: you can have someone friendly shoot down all your non-so-brilliant ideas before you could make a fool of yourself publicly. To get a more realistic view of yourself, it is important to get out into the real world where not everyone is brilliant. An outside consulting job is perfect for maintaining balance. First, someone is paying you for your expertise, which tells you that you have some. Second, you discover they really need your help badly, which brings satisfaction of a job well done.

Contrariwise, every student who comes into the Lab has been selected over about 400 other applicants. That makes a lot of us pretty cocky. It’s easy to think that I’m the one who is going to solve this AI problem for once and for all. There’s nothing wrong with this; it takes vision to make any progress in a field this tangled. The potential pitfall is discovering that the problems are all harder than you expected, that research takes longer than you expected, and that you can’t do it all by yourself. This leads some of us into a severe crisis of confidence. You have to face the fact that all you can do is contribute your bit to a corner of a subfield, that your thesis is not going to solve the big problems. That may require radical self-reevaluation; often painful, and sometimes requiring a year or so to complete. Doing that is very worthwhile, though; taking yourself less seriously allows you to approach research in a spirit of play.

There’s at least two emotional reasons people tolerate the pain of research. One is a drive, a passion for the problems. You do the work because you could not live any other way. Much of the best research is done that way. It has severe burn-out potential, though. The other reason is that good research is fun. It’s a pain a lot of the time, but if a problem is right for you, you can approach it as play, enjoying the process. These two ways of being are not incompatible, but a balance must be reached in how seriously to take the work.

In getting a feeling for what research is like, and as inspiration and consolation in times of doubt, it’s useful to read some of the livelier scientific autobiographies. Good ones are Gregory Bateson’s Advice to a Young Scientist, Freeman Dyson’s Disturbing the Universe, Richard Feynmann’s Surely You Are Joking, Mr. Feynmann!, George Hardy’s A Mathematician’s Apology, and Jim Watson’s The Double Helix.

A month or two after you’ve completed a project such as a thesis, you will probably find that it looks utterly worthless. This backlash effect is the result of being bored and burned-out on the problem, and of being able to see in retrospect that it could have been done better-which is always the case. Don’t take this feeling seriously. You’ll find that when you look back at it a year or two later, after it is less familiar, you’ll think “Hey! That’s pretty clever! Nice piece of work!”

A whole lot of people at MIT

红玫瑰白玫瑰 之 振保

昨天睡前随手翻书,翻到了张爱玲的小说,故又看了一遍红玫瑰与白玫瑰,结果又看到睡不着了。

很小时候就看过红玫瑰与白玫瑰,当时印象最深的就是两个女主角,象征红玫瑰的娇蕊和象征白玫瑰的烟鹂。小时候看总以为自己看懂了,觉得张爱玲无非是想写男人总是吃着碗里的看着锅里的,写女人开放的和保守的都没什么好下场,太开放,太执着于爱情了只能让男人骗得一段露水情缘,换不来天长地久,太保守了守住一纸婚姻,却锁不住心。

而事隔这么多年再看,我突然觉得这本书完全跟这两个女人无关,从头到尾只是振保的故事,只是讲了一个男人,也是一个人,在欲望与责任之间的挣扎,在梦想与现实之间无奈。

这不是一个爱情故事,这个一个关于生存的故事

而我突然很理解振保,很同情振保,在很多时候,我自己也是一个苦苦挣扎的振保。

red_rose_white_rose_film_03

小说刚开始时张爱玲短短几句写清楚了振保的特性: 一个从底层靠自己的努力与一点点机遇爬上来的年青人,真材实学,踏实肯干,对亲人对朋友有求必应,两肋插刀,即使受一些上层人的笑,却从不被人嫌。家庭看上去也挺完美,有大学学历的美丽妻子,可爱的女儿,并且赚足了女儿的学费。

听上去一个完美的励志故事,标准的从底层爬上中产的成功案例, 还能要求什么呢?以他的卑微的出身,这算是他能做到最好的了吧,即使再重来一次也不大见得混得更好了吧。

可是,这并不代表着他就真的如外人料得这么满足。他内心里,正如娇蕊说他的一样, “你处处克扣你自己,其实你同我一样的是一个贪玩好吃的人”。

留过洋了,出了国了,谁不想自由解放呢,更何况像振保一样,前半辈子都努努力力的正当青年的男人。 他也渴望自由自在,随心所欲,像被人宠坏的娇蕊一样的活着,所以他爱他的初恋玫瑰,爱娇蕊,实则是爱上那个梦想成为,但不能成为的自己。

可是,他跟她们到底还是不同的,做为男人,他还得注重自己的事业、名声,回报自己的老母,扶助一帮弟妹,人生中一步也差错不得, 战战兢兢,如临深渊,如履薄冰。每一次那个想放纵的声音一跳出来,便立即被他的理智强压了下去。

对于娇蕊有意无意的撩拨,他内心一直不断挣扎,不敢冒然进一步,又不得已一直为自己的欲望寻找一个合适的借口:

“振保一晚上翻来覆去的告诉自己这是不妨事的,娇蕊与玫瑰不同,一个任性的有夫之妇是最自由的妇人,他用不着对她负任何责任,可是,他不能不对自己负责。想到玫瑰就想到那天晚上,在野地的汽车里,他的举止多么光明磊落,他不能对不住当初的自己。”

即使跟娇蕊在一起的时候,他也享受不到爱情带来的快乐,反倒是处处透着自责,悲凉。他是一个最传统意义上的“好人”,心里装着满满的都是责任,都是名声,都是别人,而把内心那个自我都挤了出去。

而骂他懦弱的人,却忽略了他的身不由已。非得狂热的弄一次私奔,亲离众叛,最后到爱情变成了怨恨,连生存都成了问题才能让看客满意嘛?他太理性了,太知道这种举动的后果了,所以才选择了放弃。

最最出格的一次放纵,也不过是因为妻子与裁缝的出轨,让他想不通,“怎么能够同这样的一个人”,“我待她不错呀!我不爱她,可是我没有什么对不起她的地方。我待她不能算坏了。下贱东西,大约她知道自己太不行,必须找个比她再下贱的。来安慰她自己。可是我待她这么好,这么好——”

 

而做的也不过是找几个女人气一下妻子,摔几件东西,最后还是乖乖的回到了他“好人”的设定。

振保人生最伤心的,估计是即使如此的小心翼翼,步步为营,忍气吞声,还是得不到一个幸福的结局。想爱而不敢爱的人,她却孤掷一注,最后即使困难一点,倒也得了爱情。不爱却一直护着的妻子,看上去苍白乖巧, 却也会敢给他戴个绿帽子。

怎么算还是算不过命运, 只他一人,得了一张华皮,里面却是一件荒凉。

这是他的悲哀,也是跟他一样卑微出生的人的悲哀。


 

看完以后,躺在床上流了一会儿眼泪,然后打了一个电话给我的爸爸,我终于在昨天,原谅了他。

 

Passive Entertainment

I have spent so much time watching TV, Sports, Films, late night shows ,tuning to music, surfing the Internet without purpose that at one moment,  I begin to wonder– What is the fun in all of those? Those are definitely mindless, which mean the engagement doesn’t require anything, just sitting back and look. I am pretty sure there are more victims like me, mistaking watching Netflix or Sports as entertainment or leisure. But are they qualified as entertainment or leisure? Are we really enjoying ourselves or simply just killing time?

Watching vs. Doing:

We are becoming a generation of watchers, no matter what the shit is , as long as it is on air, someone must be watching it.  As Seinfeld pitched their show to producers

Well, why am I watching it?

Because it’s on TV.

watching-tv

Active entertainment, like playing sports, playing music, paintings, become activity in our vocabulary, instead of entertainment. Instead of participating in activities, we are being entertained; we do not entertain ourselves or do exciting, hilarious things that also entertain us. We are largely passive participants in entertainment, while “entertainers” are an elite, select group of professionals who make good money entertaining us, and “entertainment” has come to signify the various mediums through which we consume entertainment – TV, Internet, video games, etc. Entertainment is very much about things being done to and for us, while we lay back and take it all in.

Sadly,  these are addictive.

Amusing to Death: 

How we perceive our world may have changed from an environment we interact with to a parade that we simply sit back and watch go by. Neil Postman, in his book Amusing Ourselves to Death, speculates that as America turned from a culture revolving around the printed word to one revolving around images (especially images that jump cut from one to the other, set to a pounding aural beat, saturated with high impact stimuli like violence and sex) we have become a society of attention deficit watchers that have high expectations of being passively entertained, no matter where we are:

What I am claiming here is not that television is entertaining but that it has made entertainment itself the natural format for the representation of all experience. … The problem is not that television presents us with entertaining subject matter but that all subject matter is presented as entertaining, which is another issue altogether.

This trend shows up in news, political issues and education. We don’t want to be informed, educated, revoked, but simply want to be entertained.  Just check the latest presidential election or classroom, one will sure find out the difference.

Unplugging From Internet For 30 Days:

I need to take a challenge of unplugging for one month to test out how my life could be without constantly checking on news and watching endless TV. For next month, I will only use Internet simply for work and necessary information.

The leisure time would be used to workout, playing tennis, finishing some books and playing piano.